Below is the process as outlined in the lighting curriculum. Every Lighting Designer will also follow their own design process as they see fit.
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The lighting design process moves through the events as specified in the formalized design process. Equipment may be borrowed from the other theatre’s stock only with permission of the lighting mentor. Additionally, student designers will include the lighting design mentor on all design & production related correspondence so that they make keep abreast of the process.Īn updated list of stock equipment and a budget for each show is available on the Novell Server in the Production Folder. It is essential that s/he attend at least one run-through before paper-tech. S/he is expected to attend rehearsals or run-throughs as necessary. The lighting designer is expected to be an active member of the design team and to be present at all design and production meetings to ensure cohesiveness of design and to keep abreast of any changes.
![lightwrite student lightwrite student](https://images.dlf.org.uk/mee/products/full/0122139-0000053-43789.jpg)
This might include visual research, a lighted model, or other means that are appropriate to communicate the ideas.
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The designer will communicate his/her ideas in a graphic way to the director so there can be a full understanding of the ideas. The lighting designer is responsible for all communication with the director and should set up times to discuss the general aesthetic, movement, cue placement, follow-spot cues and anything else that is necessary for the production.